Thursday, 29 May 2014

Cards available


I am proud to announce that my luxury greetings cards are now available at Etsy -


This is the first time I have used my photography to create a collection of greetings cards, and I am really pleased that my first batch is from my home town of St Andrews.

We opted for a heavier paper and the very best printing methods to create cards that feel and look really impressive. They’re also something a little bit different.

Using high-resolution photography rather than the tradition of golf ‘humour’, these cards are all about the course and the image. As a result, the cards can be used for invitations, birthdays and thank yous, as well as dropping someone a note just to stay in touch.


Pass on the link to anyone you know who loves golf, or perhaps order a few for yourself. 


Thursday, 15 May 2014

Items for sale - updated

I've had a clear-out and the upshot of all my hard work is I have a number of photography items for sale. All have produced excellent images that have been published in various magazines. All have been cared for as I would my own children. Now it’s time to find new homes for these treasured items.

1)      Canon 550 EX speedlight flash, packed full of features with high-speed sync etc. Comes with manual.

2)      Sigma 100-300 F4 EX APO IF HSM for Canon. An extremely flexible lens in great condition. Complete with tripod ring and padded Sigma bag. £325.

4)      Hoya 82mm PL-Cir. £40.

5)      Hoya 77mm Pro1 Digital PL-Cir. £35.

6)      Hoya 77mm UV. £25.


Post and packaging costs will be applied. Give me a call to discuss any of these items (01337 858 807).




Saturday, 5 October 2013

Here are the opening paragraphs from an article I wrote about golf photography last year. I've posted this on my blog before, but I think it is worth airing again.


First impressions

Like curry, politics and religion, photography prompts an immediate response. Indeed, unlike other media, there is no pause, delay or interruption when you look at a photograph - you either love it, or you hate it. For some, however, the issue of photography goes far beyond merely preferences.

“I can’t believe they don’t get it,” exclaims an incensed magazine editor. “Good photography can make such a difference to their coverage.” Sitting quietly, I let the respected journalist let fly, venting his fury on golf clubs that clearly don’t agree with his assertion. With 22 years under his belt, the daily search for images for his market-leading magazine has clearly left its mark.

I have heard this so many times from editors. Faced with a dearth of good photography, they inevitably fall back on clubs that do provide good-quality images that capture the spirit of the game and instil a desire to play. That, after all, is what golf-friendly magazines, websites and newspapers are all about. The result is clubs with good photography get greater coverage. 

Tuesday, 1 October 2013

Proud to be home


I have just posted new images of Forrester Park as part of a photography project I am working on with the Fife Golf Partnership. The idea is to shoot a series of courses around Fife that perhaps don't get the recognition they deserve.

It has been a fascinating exercise.

Despite growing up in St Andrews and bringing up my two sons with my wife in Fife, I haven't really had an opportunity to study in any depth the courses outside my front door, so to speak. I remember playing them as a kid and I have often driven past them wondering what they would be like to shoot, but more often than not my work has taken me further a field, until now.

Fife is awash with interesting, quirky and quality layouts that many visiting golfers have never heard of, nevermind seen. Now that I have had my chance to photograph some of them, I hope I have captured something of what makes them special.

Anyway, here's the link to the Forrester Park images. Let me know what you think.


 

Monday, 2 September 2013

New images


Just posted some new images of Ladybank Golf Club. As ever, these are best viewed by selecting the full-screen option on the right-hand side of the website window.
I will be working on more images this week so you can expect further galleries to follow soon.
Let me know what you think.
 

Thursday, 22 August 2013

Higher power


Here's an excerpt from an ode I wrote about golf tees. It was first published in Golf Illustrated. Hope you enjoy it.

LOVE FOR AN ELEVATOR

From its earliest beginnings, the humble golf tee has been often overlooked and taken for granted. Well, no more

Golf is a game built on confidence. With it, your swing becomes effortless, your thoughts pure and the outcome of each shot preordained. Nirvana found. Without it, golf becomes a tortuous test of self-resilience that can be as much fun as a poke in the eye.

Confidence is key. It can mean the difference between a golfing high and calamitous low. It drives golf club and ball sales around the world and, wonderfully, at the start of every hole, the gods of golf offer us a precious taste of it in the form of the humble tee peg.

It may seem like a small thing, but a ball perched on top of a tee is both iconic and reassuring. Discussing the value of the common tee in a 1965 issue of Sports Illustrated, Jack Nicklaus asked: “When you can have a perfect lie, why give yourself a mediocre one? This is a question I ask… when I see golfers, both good ones and bad, hitting a tee shot on a par-3 hole without teeing up the ball.”

Although clearly not favoured by the world’s greatest player, failing to use a tee is certainly within the confines of the game. In fact according to the R&A’s eleventh Rule of Golf, a player is permitted to hit a tee shot from the ground (which includes irregularities in the surface), from sand or another natural substance. This ruling harks back to the days when golfers teed up the ball using a pile of sand or fashioned mounds of earth as impromptu perches. Indeed, some players still follow this approach; Laura Davies being one.

If you choose to follow the Golden Bear’s advice and tee it up, it would be advisable to choose a conforming tee that is no more than four inches in height, doesn’t indicate the line of play and doesn’t influence the movement of the ball or generally assist you in any way. These stipulations are important because if a player were to use such a tee he could find himself being unceremoniously disqualified and duly marched from the course. A conforming tee may be a godsend, but using one that is not could have severe consequences. You have been warned.

Teaching pros will tell you that using a tee properly will raise the ball above the top of the grass thereby cutting down your chances of hitting a fat shot. More crucially it can prevent blades of grass being trapped between the ball and the clubface enabling the club to attack the ball cleanly producing maximum backspin on the greens. All this results in more accuracy, greater consistency and, ultimately, lower scores. Who would have thought a couple of inches of plastic or wood could do so much?

With so much going for them, you might imagine the first tees were snapped up by golf fans eager to get their hands on the latest game-improvement technology. Apparently not. When the American dentist William Lowell patented the Reddy Tee in 1921 (so named because the tee was painted red), it had been 22 years since the first tee patent application had been lodged; coincidentally also by an American dentist called George F Grant. Unfortunately the intervening years had not enamoured golfers to the idea who refused to play with the pegs despite them being handed out for free. It was only when Walter Hagen received $1,500 from Lowell for endorsing his Reddy Tee that the idea sparked the public’s imagination and the idea caught on.
 

Tuesday, 13 August 2013

Links beauty


The summer in Scotland (the first for about six years) has been wonderful, producing ideal conditions for hard and bouncy fairways and slick and fast greens. At Muirfield and St Andrews, we saw Majors decided over historic courses that for once, bit back.

Now I know there is a deep love for all things links, but I wonder if our love of salt-laiden air and lively turf is purely derived from the playing experience, rather than aesthetic appreciation. As a photographer, I love shooting all kinds of courses – links, heathland, parkland, clifftop, resort; you name it, I’II shoot it. The objective is to select the features that make each course stand out. For me, a big part of what I do is discovering beauty in what I find in front of me.

A links course that has been exposed to the relentless sun and wind and then exhaustively managed to within an inch of its life, is a spectacle of humps and hollows that conjure up fear and excitement in equal measures. I have just finished processing a batch of images of a course that looks as wonderfully linksy as I have seen for a long time, but I wonder if the viewer sees it the same way.

We all know that seaside turf is special. The fun, difficulty and possibilities it provides makes links golf a joy. But, when you see a true links course, brown and bare, does this titillate like an image of Augusta would?
 
Let me know.