This is the first instalment of an interview with professional golf photographer Mark Alexander regarding his most recent shoot at Dundonald Links.
The Kyle Philips-designed course at Dundonald in Ayrshire,
Scotland opened in 2003 and is now recognised as a must-play links course. It
has hosted a number of professional and amateur tournaments, notably
pre-qualifying for the European Tour and the Senior British Open Championship,
and most recently the Aberdeen Asset Management Ladies Scottish Open. In line
with Kyle Philips’ design directive, professional golf photographer Mark
Alexander reveals his approach to capturing the natural beauty of
Dundonald links.
Kyle Philips’ ambition when designing Dundonald was to
create a championship links that felt as though it was an old, established
course. Having covered every square inch of the layout, do you believe he
achieved his goal?
"Yes, absolutely. The first thing you appreciate is that
the links have been worked so well into the landscape. Before it was very flat
and nothing to write home about; but, what they’ve created is a very
special landscape that genuinely has the look and feel of an established links.
"It’s a beautiful, playable course. Everything is laid out in front of you so when you stand on the tee you can envisage how the course will play, which really heightens the excitement."
"It’s a beautiful, playable course. Everything is laid out in front of you so when you stand on the tee you can envisage how the course will play, which really heightens the excitement."
Kyle Philips also designed Dundonald with the philosophy
that a golf course’s character and personality should be derived from the site.
How do you capture that in a photo?
"I like to shoot from the golfer’s perspective so when they
look at the image they can feel the club in their hands. To do this, I look at
the playability of the course and the hole in terms of where I’d like my
ball to land on the green or where I’d like it to land it on the fairway. But
equally, I like to capture the broader view, which encompasses the
dangers involved in terms of the bunkering, the dunes or the rough which adds
colour and defines the hole.
"I try to incorporate both the fairway and the greenscapes as well as the rough and dunescapes. The two blend so well at Dundonald, it’s really quite spectacular."
"I try to incorporate both the fairway and the greenscapes as well as the rough and dunescapes. The two blend so well at Dundonald, it’s really quite spectacular."
Next week we’ll hear about the business side of Mark’s
artistic trade.
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